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artsafe meets the needs of art and artists. Whether it be museum standard international touring cases, development and construction of exhibition elements, condition reporting or artwork handling, David
has worked personally with artists, conservators and curators to cater to the needs of the exhibits.
David Roberts has only recently adopted the name artsafe but has been working within the Tasmanian arts community since 2000. Clients and installation locations vary from state and national institutions to individual Tasmanian galleries and artists.
Contact Details
David Roberts
Email: design@artsafe.com.au
Mobile: 0419 557 313
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Services Provided to
- Tasmanian Museum and Art Gallery
- National Library of Australia
- Queen Victoria Museum and Art Gallery
- National Gallery of Victoria
- Art Gallery of South Australia
- Contemporary Art Services Tasmania
- Design Centre – Tasmania
- University of Tasmania
- State Library of Tasmania
- Furniture Designers Association
- Artbank
- Allport Library & Museum of Fine Arts
- Tasmanian Wood Design Collection
- Archives Office of Tasmania
- Arts@work
- Arts Tasmania
- Asialink
- Clockwork Beehive
- Salamanca Arts Centre
- Handmark Gallery
- Schoolhouse Gallery
- Fine Arts Gallery
- Henry Jones Art Hotel - Atrium
- Long Gallery
- Plimsol Gallery
- Carnegie Gallery
- Mawsons Place Pavillion
- Tasmanian House of Assembly
- Tasmanian Department of health and human services
- Médecins Sans Frontières - Australia
- Clarence City Council
- Hobart City Council
- Glenorchy City Council
- Global Specialised Services
- Antarctic Midwinter Festival
- Fred Fisher
- Anne Mcdonald
- Pippa Dickson
- Geoff Parr
- Lucia Rossi
- Belinda Marquis
- John Vella
- David Stephenson
- Les Blakebrough
- Bob Jenyns
- Lucia Usmiani
- Luke Wagner
- Pat Brassington
- Justy Phillips
- Lucy Bleach
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The case pictured below was commissioned in 2005 by the State Library of Tasmania, for the National Library of Australia's "National Treasures" touring exhibition and has travelled over 18000 km.
The exterior is battered and bruised by manual and forklift handling over 18 months of air and road transport to every Australian capital city. Inside all is pristine and as new; the artwork was fully protected. |
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